Taking a bow after the encore at Club Quattro in Tokyo on December 9th. The 750-cap venue was sold out by the time doors opened. The New Mastersounds played for nearly 3 hours over two sets and then signed autographs for another hour after the gig. Dionne Charles was special guest for the second set, performing songs from the recent Plug & Play album.
(photo by Yusuke Kitamura)
"...Hole in the Bag is a fat nugget of organs, wah-wah and clattering drums if ever there was one, and sees the band do their best Meters impression to date. So much is this the case in fact, that should Cyril Neville and co. ever hear it they'll be swearing on their mum's lives that this is a long lost cut off 1969 classic The Meters and doubtless wondering how it ever got missed off the final mix as they scratch greying afros."
(Monkeyboxing.com)
"Like Fred Wesley & The New JB's, Bobby Byrd, Marva Whitney or Maceo & The Macks in their day, the Mastersounds know groove and furrow it out like hogs on truffles."
Winner of the remix competition, produced by Simon Ham and Jo Brooks of Drawbar
Louisville, Kentucky. Straight off a plane from Tokyo and onto the stage. (courtesy of a Bosnian taxi driver who had decorated every inch of his cab with tiny spots of coloured ink)
"Like Fred Wesley & The New JB's, Bobby Byrd, Marva Whitney or Maceo & The Macks in their day, the Mastersounds know groove and furrow it out like hogs on truffles." (Jambase Review)
Labels: FEATURED